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Human stories told with honesty, purpose, and cinematic craftsmanship.

We partner with museums, healthcare organisations, charities, heritage institutions and purpose-driven brands to create documentary films that educate, connect audiences and preserve meaningful stories.

We create documentary films for organisations that shape culture, improve lives and strengthen communities. Combining authentic storytelling with cinematic craftsmanship, we help museums, healthcare organisations, charities and purpose-driven brands create films that inform, inspire and leave a lasting impact.

Stories That Matter

Every organisation has a story worth telling. Explore the films we’ve created with museums, charities, healthcare organisations and purpose-driven brands to preserve history, inspire change and create lasting impact.

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Unseen

A story of movement, resilience and finding new possibilities through dance.

Unseen follows members of Ascendance’s community dance programmes as they challenge assumptions about ageing, disability and who dance is for.

Through the experiences of older adults and people living with Parkinson’s, arthritis, epilepsy and other health conditions, the film reveals how movement can improve confidence, balance, fitness and emotional wellbeing. For many participants, the sessions offer far more than exercise. They create friendship, routine and a renewed sense of belonging.

At the heart of the documentary are people refusing to be defined by what they can no longer do. As they rehearse, create and eventually travel to perform together, they discover new abilities, take creative risks and support one another through grief, illness and change.

Unseen is a celebration of what becomes possible when people are given the space to move, connect and be seen.

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Project Two Title

Add one concise sentence introducing the central subject or idea explored in this film.

Add a short account of the people, place or organisation at the heart of the project. Explain why their story mattered and what the film set out to communicate.

Conclude with the wider meaning or impact of the work—what audiences were invited to understand, feel or reconsider.

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Fighting to Be Heard

Where discipline, heritage and artistic expression meet.

What could boxing and calligraphy possibly have in common?

For Bradford world champion Tasif Khan, both are shaped by discipline, precision and years of commitment. Working with Bradford District Museums and the British Library, Fighting to Be Heard follows Tasif and members of his Community Boxing Academy as they explore historic calligraphy, rare manuscripts and Bradford’s own collections.

The project brings together two seemingly different art forms, revealing the shared focus behind every carefully placed pen stroke and every accurately timed punch. Through Tasif’s personal journey, the film explores faith, identity, community and the dedication required to master a craft.

More than an exhibition story, it shows how museums can create meaningful connections with communities whose voices and experiences have not always been represented within traditional cultural spaces.

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Today I’m Happy

A personal story of mental health, care and finding reasons to keep going.

Emily takes us on one of her late friend Ben’s favourite walks, reflecting on his life, his struggles with mental health and the impact of losing him at just 33 years old.

Along the way, she shares her own experience as both a mental health nurse and someone who has lived with mental illness. From hearing voices and spending time as an inpatient to returning to the work she loves, Emily speaks openly about trauma, recovery and the pressure to appear well even when she is struggling.

Her story challenges the stigma surrounding mental health institutions and reveals the compassion, creativity and community that exist within them. It is an honest portrait of someone learning that wellbeing is not simply about being stable or “normal,” but about support, openness and finding moments of happiness.

Standing beside Ben’s tree at the end of the walk, Emily leaves us with a simple but powerful truth: today, she is happy.

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Unseen

A story of movement, resilience and finding new possibilities through dance.

Unseen follows members of Ascendance’s community dance programmes as they challenge assumptions about ageing, disability and who dance is for.

Through the experiences of older adults and people living with Parkinson’s, arthritis, epilepsy and other health conditions, the film reveals how movement can improve confidence, balance, fitness and emotional wellbeing. For many participants, the sessions offer far more than exercise. They create friendship, routine and a renewed sense of belonging.

At the heart of the documentary are people refusing to be defined by what they can no longer do. As they rehearse, create and eventually travel to perform together, they discover new abilities, take creative risks and support one another through grief, illness and change.

Unseen is a celebration of what becomes possible when people are given the space to move, connect and be seen.

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Our Patch: Denholme

A community brought together through colour, creativity and shared history.

Our Patch: Denholme follows local young people, families and residents as they work together to design and paint a vibrant 18-metre mural for one of the village’s most important community spaces.

Inspired by Denholme’s history, identity and natural surroundings, the mural transforms a once-drab wall into a colourful reflection of the people who live there. From the village’s past as a deer park to the youth café’s role as a long-standing community hub, every element carries meaning.

The film captures more than the creation of a public artwork. It reveals the conversations, relationships and sense of ownership that grow when people make something side by side.

Our Patch: Denholme is a celebration of community art and its power to brighten a place, preserve local stories and help people feel connected to where they live.

Trusted by Organisations That Make a Difference

About Pishdaad

Documentary Filmmaker, Director and Cinematographer


Pishdaad Modaressi Chahardehi is an Iranian-Pakistani filmmaker, director, cinematographer and producer whose work explores identity, migration, community and the human stories hidden within wider social issues.

Born in Cologne into a filmmaking family, Pishdaad brings a second-generation diaspora perspective shaped by Iranian, Pakistani, German and British influences. His father, Hamid Modaressi, was a filmmaker in Iran, creating a family legacy of visual storytelling that continues through Pishdaad’s own practice.

After moving to the UK in 2012, he established himself within Bradford’s creative landscape and founded Anarchy Cinema Ltd in 2017. Over more than a decade, he has created documentaries, short films, music videos and community-led projects across the UK and internationally.

His documentary approach is influenced by anthropology and built around patience, observation and trust. His work explores themes including displacement, memory, heritage, disability, mental health and resilience, often centring people and communities whose experiences are overlooked.

Alongside his filmmaking practice, Pishdaad is completing postgraduate study in Film Studies at the University of Manchester, researching racialisation, belonging and urban space in contemporary European cinema.

Tell your story.

Every meaningful film begins with a conversation. Whether you are preserving a community’s history, sharing lived experiences or bringing attention to an important issue, Pishdaad approaches each project with care, curiosity and respect.

Get in touch to discuss your story and explore how it could be shaped into a thoughtful, cinematic film.